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Student and alternative model. In love with vintage, punk rock, psychobilly, grotesque, Old Hollywood glam and old movie icons, history, 19th century in literature, people who give me inspiration, pin-up and red lipstick.

You can follow me here: www.facebook.com/vilmarouge

chainingdaisy:

Beautiful Australian Burlesque Starlet Dezzi Damned.

chainingdaisy:

Beautiful Australian Burlesque Starlet Dezzi Damned.

bardotinmotion:

Bye, beautiful. I’m off to chase more glamor!

bardotinmotion:

Bye, beautiful. I’m off to chase more glamor!

bettyraevintage:

BUNNY YEAGER

“They all wanted to model for me because they knew I wouldn’t take advantage of them.”

Bunny Yeager is one inspirational woman. Her striking looks led her to become one of the most sought-after pin-up models of the late Forties. A title she despised however, as she considered the phrase ‘pin-up’ to be cheap. She drew success from her modelling career but she soon began to realise that she’d rather be behind the camera than in front of it. Female photographers were few and far between at this time, but Bunny had the experience of posing as well as an eye for creating the most flattering image of the female form, an attribute rare among most male photographers. Women trusted her not to take advantage of them and soon her work became renowned after her shots of a then unknown model by the name of Bettie Page caught the eye of Playboy founder Hugh Hefner. Hefner saw the huge talent in both Bunny and Bettie and soon enough the pair became pin-up royalty.

Bunny continued her work for men’s magazines and credited herself as a photographer of ‘real women - with curves and a little bit of cellulite’, a rare and refreshing approach to pin-up photography. In 1962, she took the infamous beach stills of Ursula Andress during her role as a Bond Girl in Dr No, firmly cementing both ladies into cinematic history.

Bunny may have made her name back in the 1940s as a model, but she continues her success today as a fierce business woman. As if her resume wasn’t impressive enough, last year she ventured into the fashion world and launched her own clothing line. Still going strong at 83, is there anything this woman can’t do?!




Rita laughs gaily on the set of Cover Girl (1944), a Columbia musical with Gene Kelly, Phil Silvers, and Lee Bowman, which began shooting during Rita’s romance with Orson Welles. Orson occasionally visited the set, and it was obvious to all that the couple were madly in love. Rita’s happiness transferred onto the screen, and she was at her most spirited and lovely in this charming film.

Rita laughs gaily on the set of Cover Girl (1944), a Columbia musical with Gene Kelly, Phil Silvers, and Lee Bowman, which began shooting during Rita’s romance with Orson Welles. Orson occasionally visited the set, and it was obvious to all that the couple were madly in love. Rita’s happiness transferred onto the screen, and she was at her most spirited and lovely in this charming film.


"Roxanne" by Gil Elvgren, 1960

"Roxanne" by Gil Elvgren, 1960

trulyoldhollywoodvintage:

Everyday I think I was born in the wrong era, not just for the fashion/hairstyles, losing my trust in a lot of people more each day 😒 #wronggeneration

trulyoldhollywoodvintage:

Everyday I think I was born in the wrong era, not just for the fashion/hairstyles, losing my trust in a lot of people more each day 😒 #wronggeneration

fuckyeahcostumedramas:

Norma Shearer in ‘Marie Antoinette’ (1938).

fuckyeahcostumedramas:

Norma Shearer in ‘Marie Antoinette’ (1938).

take a look at: https://www.facebook.com/vilmarouge?fref=ts :)
Photo: Anita Wąsik PhotographyModel: VilmarougeDress: Barbara Olejniczak-Tunajek 

take a look at: https://www.facebook.com/vilmarouge?fref=ts :)


Photo: Anita Wąsik Photography
Model: Vilmarouge
Dress: Barbara Olejniczak-Tunajek